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Blues In The Night (¹ãÀÇ ºí·ç½º) Ã߾﹫´ë

Blues In The Night (¹ãÀÇ ºí·ç½º

Performed by Alvino Rey & His Orchestra (1966)

 

ÀÌ °îÀº À§´ëÇÑ ¹Ì±¹ À½¾Ç»ç¿¡ ÇÑ ºÎºÐÀ» Àå½ÄÇÒ ¸¸Å­ Ç¥ÁØ ÆËÀÌ µÈ ºí·ç½º Æ˼ÛÀÌ´Ù.

¡®ÇØ·Ñµå ¾Ë·»¡¯(Harold Arlen)ÀÌ °îÀ» ¾²°íÁÒ´Ï ¸Ó¼­(Johnny Mercer)°¡ °¡»ç¸¦ ºÙ¾î¼­ 1941³â¿¡ ¿µÈ­ ¡®¿åÁ¤ÀÇ ¾ß»ó°î¡¯(Hot Nocturne)¿¡ »ç¿ëÇÏ·Á°í ¸¸µé¾úÁö¸¸°á±¹¿£ Á¦¸ñÀ» ³ë·¡Á¦¸ñó·³ ¿µÈ­Á¦¸ñµµ ¡®¹ãÀÇ ºí·ç½º¡¯·Î ¹Ù²Ù¾ú´Ù´Â ÀÏÈ­°¡ ÀÖ´Ù¿µÈ­ ¼Ó¿¡¼­´Â ¡®Àª¸®¾ö Áú·¹½ºÇÇ¡¯(William Gillespie)°¡ ºÒ·¶´Ù.

 

°¡»ç ³»¿ëÀº

My mama done told me when I was in knee pants, my mama done told me,

"Son, a woman will sweet talk and give you the big eye.

But when that sweet talk is done, a woman's a two face.

A worrisome thing, who will leave you to sing. The blues in the night.

³»°¡ Àá¹æÀ̸¦ ÀÔ°í ÀÖ´ø ½ÃÀý ¾ö¸¶´Â ¸»ÇßÁÒ.

"¾Æµé¾Æ¿©ÀÚ°¡ ´ÞÄÞÇÑ ¸»À» ÇÒ °Å¾ß ±×¸®°í Å« ´«±æÀ» ÁÖÁö¸¸,

´ÞÄÞÇÑ ¸»ÀÌ ³¡³ª¸é¿©ÀÚ´Â µÎ ¾ó±¼À» °¡Á®.

³Ê´Â ¢¾î¶óÇÏ¸ç ³Î ³»¹ö·Á µÑ ±ÍÂúÀº °ÍÀ̾ß. "¹ãÀÇ ºí·ç½º"

 

Now the rain's a falling. Hear the train a calling Hoowee!

Hear that lonesome whistle blowing across the trestle Hoowee!

A hoowee ta hoowee, clickety clack, it's echoing back the blues in the night.

ÀÌÁ¦ ºñ°¡ ³»¸®³×. »ßÀͱâÂ÷ÀÇ ±âÀû¼Ò¸®¸¦ µé¾îºÁ!

°íµ¶ÇÑ ±âÀû¼Ò¸®¸¦ µé¾îºÁ±³°¢À» °¡·ÎÁú·¯ »Õ¾î³»´Â ±âÀû ¼Ò¸®

»ßÀÍ~, »ßÀÍ~, ´úÄÈ´úÄÈ ´ë´Â ¼Ò¸®±×°Ç ¹ãÀÇ ºí·ç½º°¡ ¸Þ¾Æ¸® Ä¡´Â ¼Ò¸®Áö..

 

The evening breeze will start the trees to crying and the moon will hide its plight.

When you get the blues in the night, so take my word, the mocking bird will sing the saddest kind of song.

He knows things are wrong and he's right

Àú³áÀÇ ¹ÌdzÀÌ ³ª¹«µéÀ» ¿ï¸®±â ½ÃÀÛÇÏ¸é ´ÞÀº ±ÃÁö¿¡ ¸ô¸± °Å¾ß.

¹ã¿¡ ³×°¡ ¿ì¿ïÇØÁö¸é³» ¸»À» ±â¾ïÇؾ޹«»õ´Â °¡Àå ½½Ç °îÁ¶ÀÇ ³ë·¡¸¦ ºÎ¸¦ °Å¶ó´Â °É.

±×´Â ¾ËÁöÀϵéÀº Àß ¸ø µÇ°í, ±×°¡ ¿Ç´Ù´Â °É.

 

From Natchez to Mobile, From Memphis to St. Joe, wherever...

I've been in some big towns, and I've heard me some big talk.

I've been to some big towns, I've heard me some big talk.

But there is one thing I know, a woman's a two face,

a worrisome thing who will leave you to sing, the blues in the night.

¡®³ªÃ¼Á¿¡¼­ ¡®¸ð¹ÙÀÏ¡¯±îÁö, ¡®¸âÇǽº¡¯¿¡¼­ ¡®¼¼ÀÎÆ®¡¯ Á¶±îÁö ¾îµðµçÁö.

³­ ¸î¸î Å« µµ½Ã¿¡ °¡ºÃ°í¸î¸î Çãdzµéµµ µé¾úÁö¸¸

³»°¡ ¾Æ´Â ÇÑ °¡Áö°¡ ÀÖ¾î ¿©ÀÚ´Â µÎ ¾ó±¼À» °¡Á³°í,

³Ê´Â ¢¾î¶ó ÇÏ¸ç ³»¹ö·Á µÑ ±ÍÂúÀº Á¸Àç¶ó´Â °É. "¹ãÀÇ ºí·ç½º"

 

My mama was right, my mama was right, there's blues in the night.

¿ì¸® ¾ö¸¶ ¸»ÀÌ ¸Â¾Ò¾î¿ì¸® ¾ö¸¶ ¸»ÀÌ ¸Â¾Ò¾î¹ã¿¡´Â ºí·ç½º°¡ ÀÖ¾î.

 

ÀÌ °îÀÌ ¿ö³« À¯¸íÇØÁ® ÃÖ±Ù±îÁöµµ ¿©·¯ ¾ÆƼ½ºÆ®µé¿¡ ÀÇÇØ ¿¬Áֵǰí ÀÖÁö¸¸

¿À´ÃÀº ¹Ì±¹ÀÇ ÀçÁî±âŸ¸®½ºÆ®ÀÌÀÚ ±×ÀÇ ¹êµå¸¦ À̲ô´Â ¡®¾Ùºñ³ë ·¹ÀÌ¡¯(Alvino Rey / º»¸í¾Ùºó ¸Æ¹ö´Ï(Alvin McBurney: 1908-2004) ¾Ç´ÜÀÇ ¿¬ÁÖ·Î °¨»óÇÑ´Ù.


À½¾Çµè±â: http://mini.thinkpool.com/exim/1633749




 




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