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Boogie Woogie Bugle Boy (ºÎ±â¿ì±â ³ªÆÈ ¼ö)Ã߾﹫´ë...

Boogie Woogie Bugle Boy (ºÎ±â¿ì±â ³ªÆÈ ¼ö)

The Andrews Sisters (1941)

 

He was a famous trumpet man from out Chicago way.
He had a boogie style that no one else could play.

±×´Â ½ÃÄ«°í ¿Ü°û¿¡¼­ ¿Â À̸§ ³­ Æ®·³Æê ¸ÇÀ̾úÁÒ.

±×´Â ¾Æ¹«µµ ¿¬ÁÖÇÒ ¼ö ¾ø´Â ºÎ±â ½ºÅ¸ÀÏÀÇ ¿¬ÁÖ¸¦ ÇßÁö¿ä.


He was the top man at his craft.
But then his number came up and he was gone with the draft.
He's in the army now, a-blowin' reveille.
He's the boogie woogie bugle boy of Company B.

±×ÀÇ ¿¬ÁÖ ¼Ø¾¾´Â 1 ÀÎÀÚ¿´ÁÒ.

ÇÏÁö¸¸ ±×¶§ ±×¿¡°Ô ÀÏÀÌ »ý°å°í ±×´Â ¡Áý¿µÀåÀ» ¹Þ°í °¡¹ö·ÈÁÒ.

Áö±ÝÀº ±º´ë¿¡ ÀÖ¾î¿ä. ±â»ó³ªÆÈ ¼öÀÌÁÒ.

±×´Â BÁß´ëÀÇ ºÎ±â ¿ì±â ³ªÆÈ ¼ö¿¹¿ä.

 

They made him blow a bugle for his Uncle Sam.
It really brought him down because he couldn't jam.
The captain seemed to understand.
Because the next day the cap' went out and drafted a band.
And now the company jumps when he plays reveille.
He's the boogie woogie bugle boy of Company B

»ç¶÷µéÀÌ ±×°¡ ¹Ì±¹À» À§ÇØ ³ªÆÈÀ» ºÒ°Ô ¸¸µé¾úÁÒ.

ÁïÈ↓ÁÖ¸¦ ¸øÇؼ­ Á¤¸» ½Ç¸ÁÇß¾î¿ä.

Áß´ëÀåÀº ÀÌÇØÇÑ °Í °°¾Ò¾î¿ä.

¿Ö³ÄÇϸé, ´ÙÀ½³¯ Áß´ëÀåÀÌ ¿Â°® ³ë·ÂÀ» Çß°í ¹êµå¸¦ ¼ÒÁýÇ߱⠶§¹®ÀÌÁÒ.

±×¸®°í ÀÌÁ¦ ±× Áß´ë´Â ±×°¡ ±â»ó³ªÆÈÀ» ºÒ ¸é È°±â¸¦ ¶ë´Ï´Ù.

±×´Â BÁß´ëÀÇ ºÎ±â ¿ì±â ³ªÆÈ ¼ö¿¹¿ä.

 

A-toot, a-toot, a-toot-diddelyada-toot,
He blows it eight-to-the-bar, in boogie rhythm.
¿¡ÀÌ-Åõ, ¿¡ÀÌ-Åõ, ¿¡ÀÌ-Åõ-µðµ¨¸®¾Æ´Ù-Åõ

±×´Â ±×  ±â»ó°î 8¼ÒÀýÀÇ ¾Çº¸¸¦ ºÎ±â ¸®µëÀ¸·Î ºÒ¾î¿ä.

 

He can't blow a note unless the bass and guitar is playin' with him.
He makes the company jump, when he plays reveille.
He's the boogie woogie bugle boy of Company B.

º£À̽º¿Í ±âŸ°¡ ±×¿ÍÇÔ²² ¿¬ÁÖÇÏÁö ¾ÊÀ¸¸é ±×´Â ÇÑ À½µµ ºÒ ¼ö ¾ø¾î¿ä.

±×°¡ ±â»ó³ªÆÈÀ» ºÒ¸é, Áß´ë´Â È°±âÂ÷°Ô µÇ¿ä.

±×´Â BÁß´ëÀÇ ºÎ±â ¿ì±â ³ªÆÈ ¼ö¿¹¿ä.

 

He was our boogie woogie bugle boy of Company B
And when he plays boogie woogie bugle, he was buzy as a "bzzz" bee
And when he plays, he makes the company jump eight-to-the-bar
He's the boogie woogie bugle boy of Company B

±×´Â BÁß´ëÀÇ ºÎ±â ¿ì±â ³ªÆÈ ¼ö¿´ÁÒ.

±×¸®°í ±×°¡ ºÎ±â ¿ì±â ³ªÆÈÀ» ¿¬ÁÖÇÒ ¶§, ±×´Â "À®À®" ²Ü¹ú °°Àº ¼Ò¸± ³ÂÁÒ.

±×¸®°í ±×°¡ ¿¬ÁÖ¸¦ Çϸé, ±×´Â 8¼ÒÀýÀÇ ¾Çº¸·Î Áߴ븦 È°±âÂ÷°Ô ÇØ¿ä.

±×´Â BÁß´ëÀÇ ºÎ±â ¿ì±â ³ªÆÈ ¼ö¿¹¿ä.

 

Toot-toot-toot, toot-diddelyada, toot-diddelyada
Toot, toot, he blows it eight-to-the-bar.
Åõ-Åõ-Åõ, Åõ-µðµ¨¸®¾Æ´Ù, Åõ-µðµ¨¸®¾Æ´Ù.

Åõ, Åõ, ±×´Â 8¼ÒÀýÀÇ ¾Çº¸¸¦ ºÒ¾î¿ä.

 

He can't blow a note if the bass and guitar isn't with him.
A-a-a-and the company jumps when he plays reveille.
He's the boogie woogie bugle boy of Company B.

 

He puts the boys asleep with boogie every night.
And wakes 'em up the same way in the early bright.
They clap their hands and stamp their feet.
±×´Â ¸ÅÀÏ ¹ã º´»çµéÀ» ºÎ±â½ºÅ¸ÀÏ Ãëħ³ªÆÈ·Î ÀáÀç¿ìÁÒ.

±×¸®°í, À̸¥ »õº®¿¡´Â °°Àº ¹æ¹ýÀ¸·Î ±×µéÀ» ±ú¿ìÁÒ.

¼Õ»ÁÀ» Ä¡°í ¹ßÀ» ±¸¸£ÁÒ

 

Because they know how he plays when someone gives him a beat.
He really breaks it up when he plays reveille
He's the boogie woogie bugle boy of Company B

´©±º°¡ ¹ÚÀÚ¸¦ ÁÖ¸é, º´»çµéÀº ±×°¡ ¾î¶»°Ô ¿¬ÁÖÇÏ´ÂÁö ¾Ë°í ÀÖÀ¸´Ï±î¿ä.

±×°¡ ±â»ó³ªÆÈÀ» ºÒ¸é, ±×´Â Á¤¸» ±ú¿ì°Åµç¿ä

±×´Â BÁß´ëÀÇ ºÎ±â ¿ì±â ³ªÆÈ ¼ö¿¹¿ä.

 

Da-doo-da da-doo-da-da da, Da-doo-da da-doo-da-da da
Da-doo-da da-doo-da-da da, Da-doo-da da-doo-da-da
´Ù-µÎ-´Ù-´Ù-µÎ- ´Ù-´Ù-´Ù, ´Ù-µÎ-´Ù-´Ù-µÎ- ´Ù-´Ù-´Ù,

´Ù-µÎ-´Ù-´Ù-µÎ- ´Ù-´Ù-´Ù, ´Ù-µÎ-´Ù-´Ù-µÎ- ´Ù-´Ù.        ,.

A-a-a-and the company jumps when he plays reveille.
He's the boogie woogie bugle boy of Company B!

±×¸®°í ±×°¡ ±â»ó³ªÆÈÀ» ºÒ¸é ºÎ´ë´Â È°±â¸¦ ã¾Æ¿ä.

±×´Â BÁß´ëÀÇ ºÎ±â ¿ì±â ³ªÆÈ ¼ö¿¹¿ä.

 

Songwriters: Don Raye, Hughie Prince

 

 

À½¾Çµè±â: http://mini.thinkpool.com/exim/1670724

 

 



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